What are the traditional Chinese furniture designs? What are the traditional furniture brands? The design of Chinese furniture is quite difficult in the design of furniture. After more than a decade, I think that many people can't touch the doorway, so I want to give the designer entrepreneur a little more ideas. The "Chinese furniture" mentioned here mainly refers to the current mahogany furniture . Accurately it should be said: Contemporary Chinese traditional furniture is what this article should say: the problem of contemporary Chinese traditional furniture design. Of course, some of the references in this paper are also applicable to the entire furniture design field. The word "Chinese" is no different from modern furniture design.
Many people think that mahogany furniture is historically, not only! It is rare to use such hard wood for furniture in all parts of China. Why? There is no sharp weapon, no current power tools, it is really difficult to do. In history, more furniture is made of wood commonly known as “zamu†or “woodwood†and “white woodâ€. There was no “globalization†at the time, and trade and transportation conditions were unlikely to allow our ancestors to see so many wood species. About the Ming Dynasty, the "Yellow Pear", which is the scented rosewood, is not very high in density, and the processing difficulty is acceptable. It is worth noting that there is no concept of "redwood" at this time.
First, the difficulty of Chinese furniture design is that this product itself is not only a daily use crystal, but the cultural factors behind it often stump some designers. Talking about "culture" is the main point of this article. For the designers who want to make Chinese furniture, it is not only the styles of traditional furniture such as tables and chairs, but also the understanding of the culture behind them. Don't look at your own local culture. To really understand it, the difficulty is greater than the design concept of modern furniture and western furniture. Our contemporary people have far more understanding of these concepts than Chinese ancient culture, which is also the result of modern education.
The ancient culture we are talking about is more of the Ming and Qing dynasties. In fact, the cultural system that the two generations of furniture continues is different. Ming was the last Han regime, and Qing was the majority ruled by ethnic minorities. The culture was different, and the political appeals were different. The background of Ming furniture is the inheritance of Song, which is derived from the daily life of the Chinese people and is formed mainly by the aesthetic characteristics of the Han people. This determines the cultural attributes of Ming Dynasty furniture. This attribute is consistent with other cultures in China during the same period, including literature and opera, and is comparable to the manufacturing level of other industries during the same period. If the furniture of the Qing Dynasty is seen from the folk, it is not very different from the Ming Dynasty, especially in the early Qing Dynasty. But today, many people emphasize that the clean furniture is nothing more than two clues: one is the court.
The second is the late foreign culture. Many scholars have talked about the court furniture. I won't go into details here. I just want to say: This is not a tradition, or a source. The emergence of court furniture in the Qing Dynasty was the alienation of traditional Chinese furniture, and it was an out-of-the-road that was not developed in normal orbit. Don't take this as a tradition, the tradition of Chinese culture is in Confucianism, and in Shishi is intellectuals and not in the royal family.
Later, Chinese furniture production under the influence of foreign culture also had great problems, especially after 1840. At this time, China is already very weak, unable to absorb healthy nutrients normally, and the erosion of the spirit of national culture is the main aspect. Of course, we have seen many outstanding works in the late Qing Dynasty today, among which there are places where reasonable external factors are absorbed. This is the result of China's rigorous craftsmanship.
Today, few designers and entrepreneurs can analyze Chinese furniture from these angles. Chairs, tables, cabinets, boxes, etc., so some drawings are transferred around the enterprise. The so-called development design is more to change at the end of the branch. There are more than 10,000 mahogany furniture manufacturers in the country, and there are at most ones with the ability to develop and design. The difficulty in designing and developing Chinese furniture is that many outstanding designers in the society can not understand the cultural essence. I have seen many designers' works, mostly symbolizing the elements of traditional furniture, thinking that this is tradition is Chinese culture. Some master designers from abroad also have a superficial understanding of traditional Chinese furniture. They cannot know Chinese furniture.
Essential spirit. Symbolization is the denial of the spirit and the act of lazy people. For more than a century, China has mainly learned from the West in the process of modern modern times. We have reshaped our society with Western ideas, including values, moral values, and civilized systems. In other words, in today's entire cultural system, Chinese traditional culture is in a weak position. This is the result of the development of modern Chinese society, and non-individuals can reverse it. For example, design and aesthetics are foreign words, not in the framework of Chinese traditional culture. Today's traditional Chinese furniture is just at the node where the Eastern and Western cultures meet. The problem is: in today's national renaissance, we don't have our own furniture design culture. How can we revive? What makes designers confused is another difficulty, that is, modern family life is very different from the past, traditional furniture actually It's not so comfortable to use, because it's often not based on practical principles but ethics. It is often a dilemma to follow the appeal of product development comfort or to adhere to the original cultural symbol. Here, designers face choices.
Third, what is the traditional Chinese culture reflected in furniture? I think the first is the production culture, which is the historical accumulation of production in Chinese culture for thousands of years, embodied in furniture. The second is folk culture, which has evolved in the course of thousands of years of history, a thing associated with the sleeping and sleeping diet. The third is the aesthetic culture. The furniture contains the most traditional and most typical concept of China. At present, this concept of beauty is at least influenced by foreign culture and reflects the local characteristics. Let's talk about manufacturing culture first. The people of our country are very characteristic in the production of utensils. In the history, many artifacts were made by ancestors. The manufacture of our artifacts is highlighted in a "smart" character that reflects the ingenuity of the working people of our country and has become a hallmark of history rather than the "manufacturing of the lieutenant". Reflected in the furniture production "smart" is also very prominent. The root of traditional furniture manufacturing is the "æ¦«å¯ structure", which is also the soul of traditional Chinese furniture, which uses a clever word. There have been a lot of articles about "榫å¯" including myself, and I won't repeat them here. But if you give up, you are no longer a traditional Chinese furniture, but a series of modern furniture. This is an important dividing line. In addition, the traditional furniture "panel" and "splicing" process are very technical features. The production of traditional Chinese furniture has a bloodline relationship with traditional Chinese architecture. Analysis of the structure of traditional Chinese architecture, including Chinese folk wood carvings, helps to understand the traditional furniture manufacturing technology. The basis for the development of products by Chinese furniture designers is also.
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